![]() ![]() Horton wanted to rejoin Capra, but had a commitment to finish a stage run of the play Once Upon a Mattress the show wouldn't be closing for another two weeks. In 1960, Horton was approached by his former director Frank Capra to work in the new film Pocketful of Miracles. A scheduling conflict compelled Horton to bow out, and his role in Ma and Pa Kettle at Home was played by Alan Mowbray. In 1953, Horton announced on the ABC-TV game show The Name's the Same that his next picture would be one of the Ma and Pa Kettle comedies. One project would be in progress while the second project suddenly came up sooner than expected, forcing Horton to make other arrangements. Įdward Everett Horton was so prolific he sometimes found himself committed to two projects at the same time. His performance in the play Springtime for Henry became a perennial in summer theaters. Horton continued to appear in stage productions, often in summer stock. His last role was in the comedy film Cold Turkey (1971), in which his character communicated only through facial expressions. Jordan (1941), Arsenic and Old Lace (1944), Pocketful of Miracles (1961), It's a Mad, Mad, Mad, Mad World (1963), and Sex and the Single Girl (1964). These include The Front Page (1931), Trouble in Paradise (1932), Alice in Wonderland (1933), The Gay Divorcee (1934, the first of several Astaire/ Rogers films in which Horton appeared), Top Hat (1935), Biography of a Bachelor Girl (1935), Danger - Love at Work (1937), Lost Horizon (1937), Holiday (1938), Here Comes Mr. He is best remembered, however, for his work in supporting roles. #Highbrow san diego professional#Horton starred in many comedy features in the 1930s, usually playing a mousy fellow who put up with domestic or professional problems to a certain point and then finally asserted himself for a happy ending. In Horton's version, he smiled ingratiatingly and nodded in agreement with what just happened then, when realization set in, his facial features collapsed entirely into a sober, troubled mask. As a stage-trained performer, he found more film work easily and appeared in some of Warner Bros.' movies, including The Terror (1928) and Sonny Boy (1929).Įdward Everett Horton soon cultivated his own special variation of the double take (an actor's reaction to something, followed by a delayed, more extreme reaction). #Highbrow san diego series#He made the transition to sound films with Educational Pictures in 1929, in a series of sound-comedy playlets. In 1927–29, he starred in eight two-reel silent comedies produced by Harold Lloyd for Paramount Pictures release. ![]() His first starring role was in the comedy Too Much Business (1922), and he portrayed the lead role of an idealistic young classical composer in the comedy Beggar on Horseback (1925). In 1919, he moved to Los Angeles, California, where he began acting in Hollywood films. Anybody could be Edward Horton, but nobody else could be Edward Everett Horton.' I said, 'I think I like that.'" My father said, 'I think you're making a mistake, Edward. "Originally, I went under the name of Edward Horton. #Highbrow san diego full#His father persuaded him to adopt his full name professionally. Horton had begun his stage career in 1906, singing and dancing and playing small parts in college, vaudeville, and Broadway productions. They were just as glad to see me go as I was to get out." That concluded Horton's collegiate period. After that, to put it gently, Columbia and I came to an amicable parting of the ways. This was the first time I had really ever been on the stage. He attended the Polytechnic Institute in Brooklyn for one year, until the school discontinued its arts courses he moved on to Columbia University, "until I got fouled up with The Varsity Show of 1909. However, he was asked to leave after he climbed to the top of a building and, after a crowd gathered, threw off a dummy, making them think he had jumped. He was a student at Oberlin College in Ohio, where he majored in German. ![]() He attended Boys' High School, Brooklyn and Baltimore City College, where he later was inducted into its Hall of Fame. His father had English and German ancestry, and his mother was born in Matanzas, Cuba to George and Mary (Orr) Diack, natives of Scotland. Horton was born in Brooklyn, New York (then an independent city) to Edward Everett Horton, a compositor for The New York Times, and his wife Isabella S. ![]()
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